Film Tricks: Special Effects in the Movies
written with David Everitt
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written with David Everitt
A sourcebook for writers, written with Jonna G. Semeiks
Harold Schecter looks at the impossible tales and images of popular art—the space odysseys and extraterrestrial civilizations, the caped crusaders and men of steel, and monsters from the ocean floor. He finds close connections between religious myth and popular entertainment.
The Tell-Tale Corpse begins as Poe pays a visit to his old friend P. T. Barnum, who implores the wordsmith to travel to Boston to secure for Poe’s wife an urgent medical cure–and to acquire some particularly garish crime-scene evidence for Barnum’s popular cabinet of curiosities, the so-called American Museum. The crime in question is the recent butchery of a beautiful young shopgirl. Once in Boston, Poe makes an immediate deduction: The sensational murder is only one in a string of inexplicable killings–the center of a single, shadowy pool of deceit and ghoulish depravity.
"...a concise, harrowing work of social history"
"...Schechter has managed to do a wonderful job researching the subject, drawing from newspaper reports, books and public records, and he synthesizes them beautifully, creating a tight narrative that's hard to put down. Schechter's writing is matter-of-fact and unshowy; while he includes the gruesome details of the bombing's aftermath, he does so with sensitivity — the book is never lurid or exploitative.
See the article HERE
"The author displays a talent for mixing lurid pulp narrative, dead-on procedural facts, and tabloid rag copy. Despite a full confession from Irwin, his defense attorney Samuel Leibowitz, “The Great Defender” with a notable record and clients such as Al Capone and the Scottsboro Boys, twisted the jury around his finger and walked away with a draw. Ambitious, bold, and evocative, Schechter’s storytelling grabs the reader in a similar manner to Capote’s searing In Cold Blood."
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